Speakeasy producer in make-up scandal!

I. Don’t. Wear. Make up.
There. I said it.
But it just so happens I have applied make up. More than once actually…
Because sometimes I go on shoots. And sometimes the lights are hot and the actors need some make up to hide the perspiration. And sometimes I happen to be the closest to the powder puff. That’s what happens on shoots - you have to pull together - and so sometimes the Producer does the make up. Sometimes, as in the case of our shoot for the Criminal Justice Service (part of the Home Office) we have to do a whole lot more…
So here we are. It’s the last day of a three day shoot in London; The clock is ticking, there are eight more scenes to get through before we hit overtime. There are six crew, eight cast members (and two clients) filming in a Crown Court. It’s a big space so we have lots of lighting. So it’s also roasting hot. The poor cast are dressed in robes and wigs. But the aircon is off because a) it’s too noisy for the sound man and b) it’s broken. Everyone is busy but exhausted and the energy levels are dropping fast. I do what needs to be done - tea and a Twix all round.
We finish (almost) on time, hang up the costumes, put away the gear, load the truck, tidy the location, kiss the luvvies goodbye, and head home. The next few weeks are taken up with editing, re-editing and approvals, resulting in three case studies that explain the process behind criminal sentencing. These will be cut up and put on the client’s website, joining a pilot programme we shot earlier in the year. Thousands will see it and interact with it. Perceptions will be changed. Our client will be happy. The hard work will be worth it.
My other tasks on that shoot included dressing a judge, checking a script, four trips to Marks & Spencer, directing the second unit filming, wearing a police helmet and, as you can see, taking the shine off an actress’s forehead with a powderpuff.

And it wasn’t just me - my colleague Lucy organised catering for 16, kept a written log of each shot, taxi’d folk to the tube station, and was an on-screen extra (as you can see, she favoured The Method when playing the Defendant’s put-upon girlfriend…). We did all of this so that our director Magnus could concentrate on the important job of getting the right shots and performances, so there was something to edit. Oh, and also taking embarrassing photos of his colleagues applying make up.
Hard work, but we love it. It’s not about the job description, it’s about a team effort, and if you want to see what all that looks like go here.
Mark Turner - Producer






It was a pretty nice day on Saturday (17thApr), sunny, a bit of nip in the air but a good day for the footie. So I had decided to go see the super Saintees (from Perth) take on another bunch of Saints (the Mirren variety - from Paisley) and give them a sound whipping. As it transpired we were lucky to get one point out of the encounter. So I should never take anything for granted. However just as I was thinking about making my way out, (I was doing some emails in at Wildwood), we got a call from a client who had a very important business person who needed to travel out to the far east to make a presentation on their behalf but the mountain dust had kept him firmly in his place. His place was in Northern Perthshire. So could we make a film of what he had to say so that they could play it at the conference and Sharon, one of our new producers, said “sure of course we can.”